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The Ecology and Semiotics of Language Learning A Sociocultural Perspective (Educational Linguistics) Kluwer Academic Pub? Leo Van Lier? KluwerAcademicPub? LeoVanLier? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-Semiotics? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Reference-Words&Language-Linguistics? Subjects-Science-General Logistic Regression Using the Sas System Theory and Application John Wiley & Sons Inc? Paul D. Allison? JohnWiley&SonsInc? PaulD.Allison? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing? Subjects-Computers&Internet-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? 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Heats of Mixing Data Collection (Dechema Chemistry Series) Scholium Intl? C. Christensen? ScholiumIntl? C.Christensen? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-52? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Heats of Mixing Data Collection Binary Systems and Multicomponent Systems Dechema? C. Christensen? J. Gmehling? P. Rasmussen? U. Weidlich? Holderbaum T.? Dechema? C.Christensen? J.Gmehling? P.Rasmussen? U.Weidlich? HolderbaumT.? Substores-UnknownASINs-52? Subjects-Science-General English-Russian Dictionary of Chemistry and Chemical Technology Russo? V. V. Kafarov? Russo? V.V.Kafarov? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Russian? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? 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AlayneStreet-Perrot? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General The Deep Mixing Method Principle, Design, and Construction Aa Balkema? Coastal Development Institute of Technology? AaBalkema? CoastalDevelopmentInstituteofTechnology? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? 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Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? New Advances in Distributed Computer Systems Proceedings of the NATO Advanced Study Institute Held at Bonas, France, June 15-26, 1981 (NATO Science Series C Mathematical Physical Sciences) D Reidel Pub Co? France) NATO Advanced Study Institute (1981 Bonas? K. G. Beauchamp? North Atlantic Treaty Organization. Scientific Affairs Division? DReidelPubCo? France)NATOAdvancedStudyInstitute(1981 Bonas? K.G.Beauchamp? NorthAtlanticTreatyOrganization.ScientificAffairsDivision? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Databases-DistributedDatabases? Subjects-Computers&Internet-General? Subjects-Engineering-Aerospace? Subjects-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Reference-Education-Questions&Answers? Subjects-Reference-General? Subjects-Science-General Unsaturated Soils Taylor & Francis? Jose Fernando T. Juca? Taylor&Francis? JoseFernandoT.Juca? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Solid-Liquid Equilibrium Data Collection Vol,8 Pt1 Binary Systems, Tables, Diagrams and Model Parameters (Dechema Chemistry Data Series) Dechema? H. Knapp? M. Teller? Dechema? H.Knapp? M.Teller? Substores-UnknownASINs-52? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Activity Coefficients at Infinite Dilution Dechema? J. Gmehling? D. Tiegs? A. Medina? M. Soares? J. Bastos? P. Alessi? I. Kikic? M. Schiller? J. Menke? Dechema? J.Gmehling? D.Tiegs? A.Medina? M.Soares? J.Bastos? P.Alessi? I.Kikic? M.Schiller? J.Menke? Substores-UnknownASINs-52? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-General 洋書
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Looney Tunes ACME Arsenal 項目数 44 総ポイント 1000 難易度 ★★☆☆☆ ★国内未発売 ※欧州版は別実績 Toot-toot! Successfully complete the Tutorial. (By the way - it s more fun if you cheat) 10 Frankenbean there, done that Complete chapter 1 - Dr Frankenbeans Castle... I love what you’ve done with those cobweb 30 Knighty-knight! Complete chapter 2 - Camelot. (Please Don t Feed The Camels) 30 Dagnabbit! Complete chapter 3 -Wild West. Give them con-sarned no-good blumding-varmints... 30 Great Southern Land-mines! Complete chapter 4 - Taz World. The derring-doest daringest-duo in the double-blunderDown-nder! 30 Heavens Below! Complete chapter 5 - A Warm Place! Bet you thought you’d finish this one when Heck freezed over? 30 Toot-and-come-in! Complete chapter 6 - Egypt. Say sayonara to the Sahara! 30 My Stars! Complete chapter 7 - Mars. Hugo first, there s an abomin-abale snowperson in here! 30 War is Heck! Complete chapter 8 - WW1. Holy cats, I ve been drafted! 30 100 Nuts a Squirrel! Complete chapter 9 - Wackyland. It s simply marrrrrvellous Dali-ng. 30 That’s All, Folks! Completed the game! The whole darn shootin -match!! You ll probably hate yourself in the morning.. 80 What s Up, Doc? Finish the First Act without collecting any Health. Now who d go and do a dirty thing like that? 20 Gad, how do I do it? Beat Whack-Tastic Robot-Bash without dying. You are a mental case. 20 Devilishly clever Beat The Muddy Evil Forest without dying. Ya crazy idjit! 20 Woo-hoo-hoo Nelly! Beat Volcano Way Out without dying. All right that settles it. 20 Gold! I m rich! Collect 250,000 in coins. Hmmm, not bad! 10 Gold! Gold!! Collect 500,000 in coins. I need what little I ve got 20 Gold! Gold!! GOLLLLD!!! Collect 1,000,000 in coins. Keep the change, Doc! 30 Next contestant please... Smash 100 Enemies. Hey - this promises to be fun! 10 Smoke-um! Smash 200 Enemies. And I thought this was gonna be a dull day! 20 Wobot season! Smash 500 Enemies. So, goodbye to you - and farewell to thee! 30 ...Where s the "kaboom"? Fully max out each character s Illudium. Aw, don t be so danged literal, Mac! 20 Speedy Gonzalez! Beat the par time for Scooterway Scramble! I go take my siesta now. 20 Slowpoke Rodriguez Beat the par time for Whack-Tastic Robot-Bash. Whoops, had the silly thing in reverse. 20 "Arriba! Arriba! A ndale! A ndale!" Beat the par time for In De-Nile. Holy freholas, that thing runs faster than me! 20 The Combo Kid! Produce a level 6 combo. You asked for it! 10 Combo Carnage!! Produce a level 9 combo. Oh, you again? 20 Combo Loco!!! Produce a level 12 combo. Soives ya right! 30 Hello, Mah Baby! Find the Michigan J. Frog trophy. Do the Michigan rag! 20 Eager Young Space Cadet Find the Porky Pig trophy. Gosh, here we go again! 20 Great horny toads!!! Find the Yosemite Sam trophy. Enter, o seeker of knowledge. That s you, fathead. 20 Super-genius!!! Find the Wile E. Coyote trophy. Allow me to introduce myself - my name is mud. 20 Speedipus Rex Find the Road Runner trophy. Rock - falling - what ll I do? 20 Bad old puddy-tat Find the Tweety Bird trophy. Awww, isn’t he a darling little tweety-bird? 20 Shoot him, shoot him now! Used every weapon! ...I cannot fight no more against such genius. 20 This... Means... War. Win a Battle. Wow, that old babe means to do me some serious hoit. 10 Stupor-Duper! Finish an act with both players wearing supersuits. Does my butt look big in this? 20 Aren t we gruesome? Beat The Log Ness Monster in local co-op play. It’s great what you can do with wire and light buls? 20 Viva l amour! Ve die togezzer. Beat Excape of Excalibur in local co-op play. Okay, have it your way! 20 Anyone for tennis? Beat Low Noon in local co-op play. Brother - what a way to run a railroad! 20 Yo-yo Atom-Smashers! Produce an atomic combo level 9 in local co-op play. So - you’re the one behind all this... 20 Up-and-Atom! Produce an atomic combo level 9 online. Adios, you chicken-pluckin little stinker! 20 Just try and top this one! Beat an Act online. You may fire when ready, grisly! 10 You caught Bugs bug ! Play online with someone who has Bugs bug. Hooo-weee! Gotta git yourself a hobby! 20
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第二幕 第一場 舞台前方から奥まで一本の道が伸びている。この道は真ん中あたりで狭くなり、舞台奥で曲がっている。道の両脇に、角に沿って二つの家がある。右側にある豪邸がポーグナー家、左側の簡素な佇まいがザックスの家である。 ポーグナー家の前には菩提樹が、ザックスの家の前にはニワトコの木が立っている。まだほのかに明るい夏の夜で、第一場の間に次第に暗くなっていく。ダーフィトは街路に面した窓を外から閉めている。ほかの弟子たちもそれぞれに同じことをしている。 弟子たち (仕事をしながら) ヨハネ祭だ!ヨハネ祭だ! お花もリボンも好きなだけたくさん! ダーフィト (小声で独り言。) 絹でできた花冠が 僕を飾ってくれたら嬉しいのにな。 マグダレーネ (かごを腕にかけてポーグナー家から出てきて、気づかれないようにそっとダーフィトに近寄ろうとして) ねえ、ダーフィト。 ダーフィト (道のほうに目をやり、きっとなって) また呼びつける気か? くだらない歌に巻き込むな! (不機嫌にそっぽを向く。) 弟子たち (始めのうちマグダレーネの声音をまねて) ダーフィト、どうしたの?お高くとまってないで、 周りを見てよ、もし馬鹿でないんなら。 ヨハネ祭だ!ヨハネ祭だ! こいつときたら、レーネ嬢に知らん顔してやがら! マグダレーネ ねえ、ダーフィト!こっちを見てよ! ダーフィト なんだ、レーネだったのか。 マグダレーネ (かごを指して) おいしいものを持ってきたわ。見てごらんなさい。 ぜんぶかわいいあなたのために作ったのよ。 でも、先に教えて。騎士様はどうだった? よく教えてあげた?騎士様は花冠をもらえたの? ダーフィト それがね、レーネさん。だめだったんだよ。彼は歌い損ねで失格になっちゃったんだ。 マグダレーネ (ショックを受けて) 歌い損ね?失格? ダーフィト それがどうかしたの? マグダレーネ (ダーフィトに差し出していたかごをひったくって) 手をどけて!あなたが食べるものなんかないわ! ああ、神様!騎士様が失格だなんて! 彼女はがっくりと肩を落として家に戻る。ダーフィトはびっくりして見送る。 弟子たち (こっそり立ち聞きしていたが、いま飛び出してきて、祝いを言うようなかっこうでダーフィトに近づく。) おめでとう!若者が求婚したぞ! 何て幸せな求婚シーンなんだろ! 俺たち、ぜーんぶ聞いたし、見ちゃったよ。 命を捧げても惜しくないくらい 首ったけの女性から かごをもらいそこなったね。 ダーフィト (かっとなって) 何をぼさっとつっ立ってるんだ! 口には気をつけろ! 弟子たち (ダーフィトの周りに輪を作り、踊りながら) ヨハネ祭だ!ヨハネ祭だ! 誰もが気に入った人に求婚するわけさ。 マイスターでも弟子でもおかまいなし! おじさんと男の子がシナリオの主人公。 おじさんは若い娘さんが好きで、 男の子はオールドミスにご執心だよ! いいぞ、万歳!ヨハネ祭だ! ダーフィトが怒り狂って飛び掛かろうとした時、ザックスが道端から現れ、割って入る。弟子たちはあわてて飛び退く。 ザックス (ダーフィトに) 何があったんだ?また喧嘩して! ダーフィト 僕じゃありません。あいつらがばかにするんです! ザックス そんなもの聞くな!やつらより利口になれ! いいかげんにしなさい。家に入って、明かりをつけてくれ! 弟子たちは散り散りに去っていく。 ダーフィト 歌のレッスンは? ザックス 今日はしない。 教会で出しゃばった罰だ。 新しい靴を枠にかけておいてくれないか。 ダーフィトとザックスは仕事場に入って行き、 中からドアを閉める。 第二場 ポーグナーとエーファが散歩から戻ってくる。娘は父と腕を組み、二人とも無言で小路を歩いてくる。 ポーグナー (まだ小路にいて、商店ドアの隙間からザックスの仕事場をのぞいて) ザックスさんはご在宅かな。 話したいことがあるのだが、入ってもいいだろうか。 ダーフィトが明かりを持って部屋から出てきて、窓辺の仕事机に座って仕事を始める。 エーファ (窺って) いらっしゃるみたいよ。 明かりが見えるわ。 ポーグナー 入ってみようか。だが、何のために?やめたほうがいい。 (そっぽを向く。) 変わったことをしようとすると、 人からとやかく言われるものだ。 (考え込む。) 私が度を越したと言ったのはまさに彼ではないか。 だが、私のことばかり非難するとは。 彼の考えだって風変りではないか。 いや、こう考えるのも傲慢かな。 (エーファのほうを向いて) ところで、おまえは何も言わないんだね。 エーファ おとなしい子供は聞かれた時だけ口を開くものよ。 ポーグナー 賢い子だ。いい子だ!おいで、ここにお座り。 ちょっとの間ベンチで一緒に過ごそう。 (菩提樹の下にある石のベンチに座る。) エーファ 寒くない? お昼はちょっと暑かったけど。 ポーグナー いやいや、穏やかでさわやかだ。 気持ちのいい夜だよ。 (エーファはためらいながら不安そうにそばに腰を下ろす。) 明日が素晴らしい日になることを 予感しているようだな。 娘や、明日どんな幸せが待っているかと思うと、 心が高鳴るんじゃないかね? ニュルンベルクの街中が沸きかえって、 市民も庶民もやってくる。 マイスターも民衆も役人たちも勢ぞろいして、 おまえのところに集まってくるのだよ。 そしておまえは清らかな月桂冠を、 自分で選んだマイスターに 花嫁として捧げるのだ。 エーファ ねえ、パパ。結婚相手はマイスターじゃなきゃだめ? ポーグナー いいかね、 おまえが選ぶマイスターだよ。 (マグダレーネが戸口に現れ、エーファに合図する。) エーファ (半分上の空で) そうね、私が選ぶのよね。でも、とにかく中に入りましょう。 (マグダレーネのほうを向いて大声で) すぐ行くわ。-夕食よ、パパ。 (立ち上がる。) ポーグナー (不機嫌に立ち上がりながら) お客はないだろうね? エーファ (前と同じように) もしかして騎士様? ポーグナー (うろたえたように) なぜだ? エーファ 今日、お会いになったんでしょう? ポーグナー (半ば独り言のように、考え込み、混乱したように) 彼のことでは不愉快な思いをした。 (気を取り直して) いや、そうじゃない!どうなってる? (額を叩いて) 何も考えられない。 エーファ パパ、いらっしゃい。着替えてきたらいいわ。 ポーグナー (家に入って行きながら) ふむ。思考がうまく回らん。 マグダレーネ (ひそひそ声でエーファに) 何か言ってもらえた? エーファ (同じくひそひそと) 黙ったまま何も言ってくれなかったわ。 マグダレーネ ダーフィトが言うには、 失格だったって。 エーファ (ショックを受けて) 騎士様が?まあ、どうしましょう。 ああ、レーネ、心配だわ。どうしたらいいと思う? マグダレーネ ザックスさんだったら何か知恵を貸してくださるかも。 エーファ (元気を取り戻して) そういえばザックスさんは私に優しいわ。行ってみる。 マグダレーネ 今はだめよ。 ぐずぐずしていたらお父様に気づかれるわ。 夕食の後にしましょう。 私も話したいことがあるの。 (階段を上がりながら) ある人からこっそりことづてを頼まれて… エーファ (ぱっと振り返って) どなた?騎士様? マグダレーネ あいにくちがうの。ベックメッサーよ。 エーファ じゃあ、さぞ素敵なことでしょうね。 (家に入り、マグダレーネがつづく。) 第三場 ザックスが動きやすい仕事着に着替えて作業場に戻り、相変わらず机で仕事をしているダーフィトのほうを向く。 ザックス 見せてごらん。うん、よくできたな。ドアの前に 机と足台を出しておいてくれ。 おまえはもう寝なさい。寝坊はせず、 愚行は眠って忘れ、明日は賢くなるんだ! ダーフィト (机と足台を用意しながら) まだお仕事ですか? ザックス 気になるのか? ダーフィト (独り言。) レーネはどうしたんだろう。さっぱり分からない。 親方は何だってこんな遅くに仕事をなさるんだろう。 ザックス まだいたのか? ダーフィト おやすみなさい、マイスター。 ザックス おやすみ。 ダーフィトは路地に面した自分の部屋に行く。 ザックス (作業の準備をし、ドアのすぐそばに置かれた椅子に座るが、やがて手を休め、閉められたままの下半分のドアに片腕をかけ、後ろに寄りかかる。) ニワトコのいい香りだ。 優しく、生命力にあふれている! この香りを吸い込むとリラックスして、 詩的な気分になる。 だが、詩を作ったところで何の役に立つだろう? 私は創造力に欠けた男だ。 仕事を放り出したりしないように、 友よ、私に構わないでくれ。 皮をなめしているほうがふさわしいのだ、 詩作になどかかってはいられない。 (騒々しい音を立てながら靴仕事にかかるが、また手を休め、後ろに寄りかかって考えにふける。) だが、どうもうまくいかない。 感じることはできるが、理解することはできない。 記憶しておくことはできないが、忘れることもできない。 意味は完全にわかるが、分析はできない。 だが、仮に分析できたとしても、 何の意味があるだろうか。 規則破りではあるが、 間違いなどどこにも見当たらない。 古く懐かしく響くが、斬新でもある。 まるで五月の鳥の歌のようだった! その歌を聴いて、 何か勘違いして 鳥の後に続いて歌ってみようとすれば、 みんなの笑い者になるものだ! 春の誘惑と甘い喜びが 彼の心に流れ込んだのだろう。 内面からあふれ出るまま彼は歌い、 見事に作り上げた。 めったにない素晴らしい個性だ。 今日歌ったあの鳥には 上品なくちばしが生えていた。 彼はマイスターたちを不安に陥れたが、 ハンス・ザックスはとても気に入ったぞ。 (気持ちが落ち着き、楽しそうに仕事にかかる。) 第四場 エーファが通りを横切ってきて、恥ずかしそうに仕事場に近寄り、気づかれないうちにザックスのすぐそばにあるドアの前に立つ。 エーファ こんばんは、マイスター。忙しそうね。 ザックス (びっくりはしたものの、機嫌よく) やあ、おまえだったのか。 エーファちゃん。こんなに遅くどうしたんだね? ああ、分かった、こんな夜更けに来たわけは 例の新しい靴だろう? エーファ はずれよ。 あの靴はまだ履いてみてないの。 あんまりきれいで、飾りがふんだんに使ってあるから 自分の足を入れるのがもったいないくらいなの。 (ザックスにぴったりくっつくようにして、石のベンチに腰を下ろす。) ザックス だが、明日は花嫁として履くんだろうに。 エーファ 誰が花婿になるのかしら。 ザックス それはもちろん分からないさ。 エーファ だったら明日私が結婚することはどうして知ってるの? ザックス おやおや。街中が知ってるよ。 エーファ そりゃあ、街は知ってるわ。 だからザックスさんも知ってるわけなのね。 私、ザックスさんはもっとご存知かと思ったわ。 ザックス 何を知っていてほしかったんだね? エーファ あら、私に言わせようって魂胆? 私ってそんなにばかだったかしら。 ザックス そんなことは言ってない。 エーファ でも、ザックスさんは賢いんでしょう? ザックス さあ、どうかな。 エーファ 何にもご存じないの?何も言ってくれないのね。 ピッチはワックスとは違うことは知ってるけど、 どこがどう違うか知りたいことって、たまにはあるじゃない? ザックス エーファちゃん、 ワックスもピッチも私はよく慣れているよ。 おまえのきれいな靴を作る時は 絹糸とワックスを使ったんだ。 だが、今日はもっと太い針金で作る。 口汚い客にはピッチがふさわしい。 エーファ それ、どなた?結構いばりんぼに聞こえるわ。 ザックス そうとも! マイスターなんだが、求婚しようとやっきになっているんだ。 明日、自分が出れば勝利間違いなしとうぬぼれている。 つまり、ベックメッサー殿さ。 エーファ じゃ、ピッチをたくさん塗ってちょうだい。 足がくっついたら私のこともほっといてくれるでしょうから。 ザックス やつはおまえを勝ち取ろうとしているよ。 エーファ どうしてまたあの人が? ザックス 独身だからね。 あんまり独身者は多くないんだよ。 エーファ 男やもめでもいいんじゃない? ザックス それでは年寄り過ぎるだろう。 エーファ 年なんか気にしないわ。大事なのは芸術ですもの。 芸術を理解できる人が私を妻にするって決まってるじゃない。 ザックス エーファちゃん、私にいい夢を見させるつもりかい? エーファ 私じゃないわ。あなたのほうこそ期待させてたのよ。 ザックスさんってつかみどころがないんだから! あなたが誰を好きなのかさっぱり分からないもの。 何年間か私のことが好きなのかと思っていたのに。 ザックス なるほど、よく抱っこしてやったしね。 エーファ 今思えば、ザックスさんは子供がいなかったから寂しかったのよね。 ザックス 昔は妻もいたし、子供もたくさんいたよ。 エーファ でも奥様は亡くなって、私は大きくなってしまった。 ザックス 成長して美しくなったよ! エーファ ちょっと考えていたんだけど、 私、あなたの妻になって子供代わりにもなれるんじゃない? ザックス なるほど、子供と妻をいっぺんに得られるわけか。 それはすてきだ。 いいアイディアだと思うよ。 エーファ ザックスさんったらからかう気? もしかしたら明日ベックメッサーが 優勝して、私をさらって行っちゃうかもしれないのよ。 それでもいいの? ザックス 彼が優勝するならだれにも止められないさ。 どうにかしたかったらお父様に相談してごらん。 エーファ もうザックスさん、気が利かないわね! 家で解決できるならわざわざここに来るわけないでしょう? ザックス (そっけなく) ああ、そうだね!それもそうだ、私がばかだったよ。 今日はいろいろと気がかりなことが多かったもんだから、 少々疲れ気味なんだよ。 エーファ (さらに近寄って) 歌の学校のこと?何かあったんでしょう? ザックス そうなんだよ、試験があったんだがくたくたに疲れてね。 エーファ ザックスさんったらそれを早く言ってくれさえしたら、 あれこれ余計な質問はしなかったのに。 ねえ、どなたが試験を受けたの? ザックス 騎士だよ、何の知識もないんだ。 エーファ (そっと) 騎士?教えて。 その方、合格した? ザックス いや、だめだったよ。おかげで大騒ぎになった。 エーファ ねえ、教えて。どうしてそんなことになったの? 首を突っ込むようで悪いけど、気になるの。 それじゃ、歌い方が悪くて、失格だったの? ザックス あの騎士は目も当てられないほどだった。 マグダレーネ (家から出てきて、小声で呼ぶ。) ちょっと!エーファちゃん! エーファ (あわててザックスのほうを向き、) 目も当てられないくらい?どうして? この先覚える余地だってあったんじゃない? そんなにめちゃくちゃで、間違いだらけだったのね。 マイスターたちは誰一人味方にならなかったの? ザックス 残念だがねえ、あいつに関しては望み薄だよ。 どこに行ったってマイスターにはなれんだろう。 もともとマイスターに生まれついたような人は 他のマイスターたちからこき下ろされる運命にあるからね。 マグダレーネ (はっきりと聞こえるように) お父様がお呼びですよ。 エーファ (だんだんすがるようにザックスに) それじゃ、それじゃ、 その方はお友達すら得られなかったのね。 ザックス それは悪くないな。友達か。 だが、彼の前では自分がよほど小さく見えるんだ。 あの傲慢な騎士殿は放っておこう。 世界中で論争を巻き起こそうと構わんが、 我々が苦労して作り上げた芸術には 触らんでもらいたいものだ。 ここでは何も壊させないぞ。 やつの幸福はよそで花開けばいいのさ! エーファ (怒って立ち上がる。) そうよ、他のところで幸せをつかんでほしいわ! こんな卑劣で妬み深い男たちだけのところではだめよ! もっと温かい心の人たちのところでなら ハンス親方が何て言ったって受け入れてくださるでしょう。 (マグダレーネに) わかってるわ、すぐ行くわよ! ザックスさんは慰めてもくれない。 ピッチのにおいを漂わせて、仕事にかかりきり! あんなもの放り投げて、優しくしてほしかったのに! 彼女は気が違ったようにマグダレーネと一緒に通りを走って行き、ひどく取り乱した様子で玄関ドアの前に立ち止まる。 ザックス (理解した様子でうなずきながら見送り) やっぱりそうか。こうなったら うまくやらなくては。 (続く会話の間に接客ドアを閉めるので、ランプの光がわずかに漏れてくるのみでザックス自身の姿もほとんど見えなくなる。) マグダレーネ まあ、こんな遅くまで何をしていたの?お父様がお呼びですよ。 エーファ 私はもう眠ってるって お父様に伝えて。 マグダレーネ 冗談じゃないわ!ねえ、何が起きたと思って? ベックメッサーに見つかっちゃって、うるさいのよ。 今夜リュートの伴奏で素敵な曲を歌うから、 あなたに窓にいてほしいんですって。 その歌であなたを勝ち取るつもりだから、 気に入ってもらえるかどうか知りたいそうなの。 エーファ ああ、困ったわ。あの方さえ来てくださったら。 マグダレーネ ダーフィトを見なかった? エーファ ダーフィトがどうかしたの? (道を窺う。) マグダレーネ (独り言。) 八つ当たりしてしまったからあの子、きっと悲しんでるわ。 エーファ 誰か見えない? マグダレーネ (窺うようなかっこうをして) 誰か来るみたいだけど。 エーファ あの方かしら? マグダレーネ とにかく、いまは家に入らないと! エーファ でも、先にお会いしたいの。 マグダレーネ 見間違いだったみたいね。違う人でした。 とにかく今は家にいましょう。お父様に気づかれるわ。 エーファ 心配だわ。 マグダレーネ どうやってベックメッサーを追い払うか考えましょうよ。 エーファ あなたが私の代わりに窓に立ってくれない? (聞き耳を立てる。) マグダレーネ えっ、私が? (独り言。) そうしたらダーフィト、焼きもちやくかしら あの人の部屋は通りに面しているし。まあ、楽しそう! エーファ 足音が聞こえるわ。 マグダレーネ (エーファに) とにかく急いで。今はだめ! エーファ 近づいてくるみたいよ。 マグダレーネ 勘違いよ。絶対違うわ。 いいから、いらっしゃい。お父様が寝るまではだめ! ポーグナーの声 (中から) おい、レーネ、エーファ! マグダレーネ さあ、ぐずぐずしていられませんよ! 聞こえたでしょう?いいから来て!騎士様はまだ遠くよ。 (彼女は嫌がるエーファを引っぱって玄関のドアを上がっていく。) ZWEITER AUFZUG ERSTE SZENE Die Bühne stellt im Vordergrund eine Strasse im Längendurchschnitt dar, welche in der Mitte von einer schmalen Gasse, nach dem Hintergrunde zu krumm abbiegend, durchschnitten wird, so dass sich in Front zwei Eckhäuser darbieten, von denen das eine reichere - rechts - das Haus Pogners, das andere einfachere - links - das des Hans Sachs ist. - Vor Pogners Haus eine Linde; vor dem Sachsens ein Fliederbaum. Heiterer Sommerabend, im Verlaufe der ersten Auftritte allmählich einbrechende Nacht. David ist darüber her, die Fensterläden nach der Gasse zu von aussen zu schliessen. Andere Lehrbuben tun das gleiche bei anderen Häusern LEHRBUBEN an der Arbeit Johannistag! Johannistag! Blumen und Bänder, so viel man mag! DAVID leise für sich Das Blumenkränzlein von Seiden fein möcht es mir balde beschieden sein! MAGDALENE ist mit einem Korbe am Arm aus Pogners Haus gekommen und sucht David unbemerkt sich zu nähern Pst, David! DAVID nach der Gasse zu sich umwendend, heftig Ruft ihr schon wieder? Singt allein eure dummen Lieder! Er wendet sich unwillig zur Seite LEHRBUBEN zuerst Magdalenes Stimme nachahmend David, was soll s? Wärst nicht so stolz, schaut st besser um, wärst nicht so dumm! Johannistag! Johannistag! Wie der nur die Jungfer Lene nicht kennen mag! MAGDALENE David, hör doch! Kehr dich zu mir! DAVID Ach, Jungfer Lene! Ihr seid hier? MAGDALENE auf ihren Korb deutend Bring dir was Gut s; schau nur hinein! Das soll für mein lieb Schätzel sein. Erst aber schnell, wie ging s mit dem Ritter? Du rietest ihm gut? Er gewann den Kranz? DAVID Ach, Jungfer Lene! Da steht s bitter; der hat versungen und ganz vertan! MAGDALENE erschrocken Versungen? Vertan? DAVID Was geht s Euch nur an? MAGDALENE den Korb, nach welchem David die Hand ausstreckt, heftig zurückziehend Hand von der Taschen! Nichts zu naschen! Hilf Gott! Unser Junker vertan! Sie geht mit Gebärden der Trostlosigkeit ins Haus zurück. David sieht verblüfft nach Die LEHRBUBEN welche unbemerkt nähergeschlichen waren und gelauscht hatten, präsentieren sich jetzt, wie glückwünschend, David Heil, Heil zur Eh dem jungen Mann! Wie glücklich hat er gefreit! Wir hörten s all und sahen s an der er sein Herz geweiht, für die er lässt sein Leben, die hat ihm den Korb nicht gegeben. DAVID auffahrend Was steht ihr hier faul? Gleich haltet das Maul! Die LEHRBUBEN schliessen einen Ring um David und tanzen um ihn Johannistag! Johannistag! Da freit ein jeder, wie er mag. Der Meister freit, der Bursche freit! Da gibt s Geschlamb und Geschlumbfer. Der Alte freit die junge Maid, der Bursche die alte Jungfer! Juchhei! Juchhei! Johannistag! David ist im Begriff wütend dreinzuschlagen, als Sachs, der aus der Gasse hervorgekommen, dazwischentritt. Die Lehrbuben fahren auseinander SACHS zu David Was gibt s? Treff ich dich wieder am Schlag? DAVID Nicht ich! Schandlieder singen die. SACHS Hör nicht drauf! Lern s besser wie sie! Zur Ruh ! Ins Haus! Schliess und mach Licht! Die Lehrbuben zerstreuen sich DAVID Hab ich heut Singstund ? SACHS Nein, singst nicht zur Straf für dein heutig frech Erdreisten. Die neuen Schuh steck mir auf den Leisten! David und Sachs sind in die Werkstatt eingetreten und gehen durch eine innere Tür ab ZWEITE SZENE Pogner und Eva, vom Spaziergang heimkehrend, die Tochter leicht am Arme des Vaters eingehängt, sind schweigsam die Gasse heraufgekommen POGNER noch auf der Gasse, durch eine Klinze im Fensterladen von Sachs Werkstatt spähend Lass seh n, ob Nachbar Sachs zu Haus? Gern spräch ich ihn. Trät ich wohl ein? David kommt mit Licht aus der Kammer, setzt sich damit an den Werktisch am Fenster und macht sich über die Arbeit her EVA spähend Er scheint daheim kommt Licht heraus. POGNER Tu ich s? Zu was doch? - Besser, nein! Er wendet sich ab Will einer Selt nes wagen, was liess er sich dann sagen? - - Er sinnt nach War er s nicht, der meint , ich ging zu weit? Und blieb ich nicht im Geleise, war s nicht auf seine Weise? Doch war s vielleicht auch - Eitelkeit? Er wendet sich zu Eva Und du, mein Kind, du sagst mir nichts? EVA Ein folgsam Kind, gefragt nur spricht s. POGNER Wie klug! Wie gut! - Komm, setz dich hier ein Weil noch auf die Bank zu mir. Er setzt sich auf die Steinbank unter der Linde EVA Wird s nicht zu kühl? ‘s war heut gar schwül. POGNER Nicht doch, ‘s ist mild und labend; gar lieblich lind der Abend. Eva setzt sich zögernd und beklommen Pogner zur Seite Das deutet auf den schönsten Tag, der morgen soll erscheinen. o Kind, sagt dir kein Herzensschlag, welch Glück dich morgen treffen mag, wenn Nüremberg, die ganze Stadt mit Bürgern und Gemeinen, mit Zünften, Volk und hohem Rat, vor dir sich soll vereinen, dass du den Preis, das edle Reis, erteilest als Gemahl dem Meister deiner Wahl? EVA Lieb Vater, muss es ein Meister sein? POGNER Hör wohl ein Meister deiner Wahl. Magdalene erscheint an der Tür und winkt Eva EVA zerstreut Ja - meiner Wahl! Doch tritt nur ein - Laut zu Magdalene gewandt Gleich, Lene, gleich! -zum Abendmahl. Sie steht auf POGNER ärgerlich aufstehend ‘s gibt doch keinen Gast? EVA wie zuvor Wohl den Junker? POGNER verwirrt Wieso? EVA Sahst ihn heut nicht? POGNER halb für sich nachdenklich zerstreut Ward sein nicht froh. - Sich zusammennehmend Nicht doch! Was denn? Sich vor die Stirn klopfend Ei, werd ich dumm? EVA Lieb Väterchen, komm! Geh , kleid dich um! POGNER während er ins Haus vorangeht Hm! - Was geht mir im Kopf doch ,rum? MAGDALENE heimlich zu Eva Hast was heraus? EVA ebenso Blieb still und stumm. MAGDALENE Sprach David meint , er habe vertan. EVA erschrocken Der Ritter! Hilf Gott, was fing ich an? Ach, Lene, die Angst! Wo was erfahren? MAGDALENE Vielleicht vom Sachs? EVA heiter Ach, der hat mich lieb! Gewiss, ich geh hin. MAGDALENE Lass drin nichts gewahren! Der Vater merkt es, wenn man jetzt blieb . Nach dem Mahl dann hab ich dir noch was zu sagen, im Abgehen auf der Treppe was jemand geheim mir aufgetragen. EVA sich umwendend Wer denn? Der Junker? MAGDALENE Nichts da! Nein, Beckmesser! EVA Das mag was Rechtes sein! Sie geht in das Haus, Magdalene folgt ihr DRITTE SZENE Sachs ist, in leichter Hauskleidung, von innen in die Werkstatt zurückgekommen. Er wendet sich zu David, der an seinem Werktische verblieben ist SACHS Zeig her! - ‘s ist gut. - Dort an die Tür riick mir Tisch und Schemel herfür! - Leg dich zu Bett! Steh auf beizeit verschlaf die Dummheit, sei morgen gescheit! DAVID während er den Tisch und Schemel richtet Schafft Ihr noch Arbeit? SACHS Kümmert dich das? DAVID für sich Was war nur der Lene? Gott weiss, was! - Warum wohl der Meister heute wacht? SACHS Was stehst noch? DAVID Schlaft wohl, Meister! SACHS Gut Nacht! David geht in die der Gasse zu gelegene Kammer ab SACHS legt sich die Arbeit zurecht, setzt sich an der Tür auf den Schemel, lässt aber die Arbeit wieder liegen und lehnt, mit dem Arm auf den geschlossenen Unterteil des Türladens gestützt, sich zurück Was duftet doch der Flieder so mild, so stark und voll! Mir löst es weich die Glieder, will, dass ich was sagen soll. Was gilt s, was ich dir sagen kann? Bin gar ein arm einfältig Mann! Soll mir die Arbeit nicht schmecken, gäbst, Freund, lieber mich frei; tät besser, das Leder zu strecken, und liess alle Poeterei. Er nimmt heftig und geräuschvoll die Schusterarbeit vor. Lässt wieder ab, lehnt sich von neuem zurück und sinnt nach Und doch, ‘s will halt nicht geh n. Ich fühl s - und kann s nicht versteh n - kann s nicht behalten - doch auch nicht vergessen; und fass ich es ganz - kann ich s nicht messen! Doch wie wollt ich auch messen, was unermesslich mir schien? Kein Regel wollte da passen und war doch kein Fehler drin. Es klang so alt und war doch so neu wie Vogelsang im süssen Mai! Wer ihn hört und wahnbetört sänge dem Vogel nach, dem brächt es Spott und Schmach. - Lenzes Gebot, die süsse Not, die legt es ihm in die Brust nun sang er, wie er musst ! Und wie er musst - so konnt er s; das merkt ich ganz besonders. Dem Vogel, der heut sang, dem war der Schnabel hold gewachsen macht er den Meistern bang, gar wohl gefiel er doch Hans Sachsen. Er nimmt mit heiterer Gelassenheit seine Arbeit vor VIERTE SZENE Eva ist auf die Strasse getreten, hat sich schüchtern der Werkstatt genähert und steht jetzt unbemerkt an der Tür bei Sachs EVA Gut n Abend, Meister! Noch so fleissig? SACHS fährt angenehm überrascht auf Ei, Kind! Lieb Evchen! Noch so spät? Und doch, warum so spät noch, weiss ich die neuen Schuh ? EVA Wie fehl er rät! Die Schuh hab ich noch gar nicht probiert; sie sind so schön und reich geziert, dass ich sie noch nicht an die Füss mir getraut. Sie setzt sich dicht neben Sachs auf den Steinsitz SACHS Doch sollst sie morgen tragen als Braut? EVA Wer wäre denn Bräutigam? SACHS Weiss ich das? EVA Wie wisst Ihr dann, dass ich Braut? SACHS Ei was! - Das weiss die Stadt. EVA Ja, weiss es die Stadt, Freund Sachs gute Gewähr dann hat. Ich dacht , er wüsst mehr. SACHS Was sollt ich wissen? EVA Ei seht doch! Werd ich s ihm sagen müssen? Ich bin wohl recht dumm? SACHS Das sag ich nicht. EVA Dann wärt Ihr wohl klug? SACHS Das weiss ich nicht. EVA Ihr wisst nichts? Ihr sagt nichts? Ei, Freund Sachs, jetzt merk ich wahrlich, Pech ist kein Wachs. Ich hätt Euch für feiner gehalten. SACHS Kind, beid , Wachs und Pech, vertraut mir sind. Mit Wachs strich ich die seid nen Fäden, damit ich dir die zieren Schuh gefasst heut fass ich die Schuh mit dicht ren Drähten, da gilt s mit Pech für den derb ren Gast. EVA Wer ist denn der? Wohl was Recht s? SACHS Das mein ich! Ein Meister, stolz auf Freiers Fuss, denkt morgen zu siegen ganz alleinig Herrn Beckmessers Schuh ich richten muss. EVA So nehmt nur tüchtig Pech dazu da kleb er drin und lass mir Ruh ! SACHS Er hofft dich sicher zu ersingen. EVA Wieso denn der? SACHS Ein Junggesell ‘s gibt deren wenig dort zur Stell . EVA Könnt s einem Witwer nicht gelingen? SACHS Mein Kind, der wär zu alt für dich. EVA Ei, was! Zu alt? Hier gilt s der Kunst, wer sie versteht, der werb um mich! SACHS Lieb Evchen! Machst mir blauen Dunst? EVA Nicht ich! Ihr seid s; Ihr macht mir Flausen! Gesteht nur, dass Ihr wandelbar; Gott weiss, wer Euch jetzt im Herzen mag hausen, glaubt ich mich doch drin so manches Jahr. SACHS Wohl, da ich dich gern auf den Armen trug? EVA Ich seh , ‘s war nur, weil Ihr kinderlos. SACHS Hatt einst ein Weib und Kinder genug. EVA Doch starb Eure Frau, so wuchs ich gross. SACHS Gar gross und schön! EVA Da dacht ich aus, Ihr nähmt mich für Weib und Kind ins Haus. SACHS Da hätt ich ein Kind und auch ein Weib! ‘s wär ein lieber Zeitvertreib! Ja, ja! Das hast du dir schön erdacht. EVA Ich glaub , der Meister mich gar verlacht? Am End auch liess er sich gar gefallen, dass unter der Nas ihm weg vor allen der Beckmesser morgen mich ersäng ? SACHS Wer sollt s ihm wehren, wenn s ihm geläng ? Dem wüsst allein dein Vater Rat. EVA Wo so ein Meister den Kopf nur hat! Käm ich zu Euch wohl, fänd ich s zu Haus? SACHS trocken Ach ja! Hast recht! ‘s ist im Kopf mir kraus. Hab heut manch Sorg und Wirr erlebt da mag s dann sein, dass was drin klebt. EVA wieder näher rückend Wohl in der Singschul ? ‘s war heut Gebot. SACHS Ja, Kind! Eine Freiung machte mir Not. EVA Ja, Sachs! Das hättet Ihr gleich soll n sagen; quält Euch dann nicht mit unnützen Fragen. Nun sagt, wer war s, der Freiung begehrt? SACHS Ein Junker, Kind, gar unbelehrt. EVA wie heimlich Ein Ritter? Mein, sagt! Und ward er gefreit? SACHS Nichts da, mein Kind! ‘s gab gar viel Streit. EVA So sagt! Erzählt, wie ging es zu? Macht s Euch Sorg , wie liess mir es Ruh ? So bestand er übel und hat vertan? SACHS Ohne Gnad versang der Herr Rittersmann. MAGDALENE kommt zum Hause heraus und ruft leise Pst! Evchen! Pst! EVA eifrig zu Sachs gewandt Ohne Gnade? Wie? Kein Mittel gäb s, das ihm gedieh? Sang er so schlecht, so fehlervoll, dass nichts mehr zum Meister ihm helfen soll? SACHS Mein Kind, für den ist alles verloren, und Meister wird der in keinem Land; denn wer als Meister geboren, der hat unter Meistern den schlimmsten Stand. MAGDALENE vernehmlicher rufend Der Vater verlangt. EVA immer dringender zu Sachs So sagt mir noch an, ob keinen der Meister zum Freund er gewann? SACHS Das wär nicht übel! Freund ihm noch sein! Ihm, vor dem sich alle fühlten so klein? Den Junker Hochmut, lasst ihn laufen, mag er durch die Welt sich raufen; was wir erlernt mit Not und Müh , dabei lasst uns in Ruh verschnaufen hier renn er uns nichts über n Haufen, sein Glück ihm anderswo erblüh ! EVA erhebt sich zornig Ja, anderswo soll s ihm erblühn als bei euch garst gen, neid schen Mannsen; wo warm die Herzen noch erglühen, trotz allen tück schen Meister Hansen! - zu Magdalene Gleich, Lene, gleich! Ich komme schon! Was trüg ich hier für Trost davon? Da riecht s nach Pech, dass Gott erbarm ! Brennt er s lieber, da würd er doch warm! Sie geht sehr aufgeregt mit Magdalene über die Strasse hinüber und verweilt in grosser Unruhe unter der Tür des Hauses SACHS sieht ihr mit bedeutungsvollem Kopfnicken nach Das dacht ich wohl. Nun heisst s schaff Rat! Er ist während des Folgenden damit beschäftigt, auch die obere Ladentüre so weit zu schiessen dass sie nur ein wenig Licht noch durchlässt er selbst verschwindet so fast gänzlich MAGDALENE Hilf Gott! Wo bliebst du nur so spat? Der Vater rief. EVA Geh zu ihm ein ich sei zu Bett im Kämmerlein. MAGDALENE Nicht doch! Hör mich! Komm ich dazu? Beckmesser fand mich, er lässt nicht Ruh , zur Nacht sollst du dich ans Fenster neigen, er will dir was Schönes singen und geigen, mit dem er dich hofft zu gewinnen, das Lied, ob das dir nach Gefallen geriet. EVA Das fehlte auch noch! - Käme nur er! MAGDALENE Hast David gesehn? EVA Was soll mir der? Sie späht aus MAGDALENE für sich Ich war zu streng; er wird sich grämen. EVA Siehst du noch nichts? MAGDALENE tut, als spähe sie ‘s ist, als ob Leut dort kämen. EVA Wär er s? MAGDALENE Mach und komm jetzt hinan! EVA Nicht eh r, bis ich sah den teuersten Mann! MAGDALENE Ich täuschte mich dort, er war es nicht. Jetzt komm, sonst merkt der Vater die Geschicht ! EVA Ach, meine Angst! MAGDALENE Auch lass uns beraten, wie wir des Beckmessers uns entladen. EVA Zum Fenster gehst du für mich. Sie lauscht MAGDALENE Wie, ich? - für sich Das machte wohl David eiferlich? Er schläft nach der Gassen! Hihi, ‘s wär fein! EVA Da hör ich Schritte. MAGDALENE zu Eva Jetzt komm, es muss sein! EVA Jetzt näher! MAGDALENE Du irrst! ‘s ist nichts, ich wett . Ei, komm! Du musst, bis der Vater zu Bett. POGNERS STIMME von innen He! Lene! Eva! MAGDALENE ‘s ist höchste Zeit! Hörst du s? Komm! Dein Ritter ist weit. Sie zieht die sich sträubende Eva am Arm die Stufen zur Tür hinauf All rights reserved © Maria Fujioka Wagner,Richard/Die Meistersinger von Nürnberg+/II-2
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第6場 前場の登場人物、アデーレ、イーダ <アデーレ> (オルロフスキーに空の財布を手渡して) 殿下、あなたのお財布を返しにやって参りました、空になっちゃいましたけど! <イーダ> あのズルいカリコーニに皆巻き上げられてしまって <アイゼンシュタイン> (アデーレを見て) なんだよおい! <オルロフスキー> どうしました? <アイゼンシュタイン> それは... (ひとりごと) うちのメイドじゃないか! <アデーレ> (そっとイーダへ) ご主人さまだわ! <イーダ> なんですって? <アイゼンシュタイン> (ひとりごと) その上、妻のドレスまで着て! <アデーレ> (イーダへ) 気の毒な奥様、旦那様は牢屋で苦しんでいると思ってるのに! <ファルケ> (紹介する) ミス·オルガ...ミス·イーダ...ルナール侯爵です! <アデーレ> (ひとりごと) 今はとにかく厚かましくなるしかないわね! <イーダ> コメディーを演じられるところを見せてやりなさいよ! <アイゼンシュタイン> (アデーレへ) オルガ嬢というのがあなたの名前ですか? <オルロフスキー> 侯爵、あなたは困惑の表情をされていますね。ファルケは正しい、ぼくは笑えそうだ! <アイゼンシュタイン> (言われたことを把握しようと) 何もおかしなことなど! <オルロフスキー> オルガ嬢にあなたはたいへん深い印象を受けられたようですね <アイゼンシュタイン> あ、いや!何というか?思っただけです…似てるなあと.... (アデーレにきっぱりと) お嬢さん、あなたは前からずっとミス・オルガをされていますか? <アデーレ> 侯爵さま あなたは前からずっとルナール侯爵をされているのですか? <ファルケ> ブラボー、うまいぞ! <アイゼンシュタイン> いや 実に似ている! <アデーレ> 誰とです、侯爵、誰と? <アイゼンシュタイン> いや... うちのメイドにね! オルロフスキー、ファルケ> (吹き出す) ハハハ! <アデーレ> 私がメイドそっくりですって?ありえないわ!あなたは私を侮辱したいの? <アイゼンシュタイン> 落ち着いて!メイドに似てるとは言っても、それは美しく愛らしいメイドの中のメイドのことなのですから! <アデーレ> それは全然別のことでしょ! オルロフスキー もっとおかしいぞ!ハハハ! 第7場 前場の登場人物、参加者全員 Nr. 8 - アンサンブルとクープレ <オルロフスキー> さて 紳士淑女の皆様 ここでちょっとしたお笑いです! <ファルケ> いいタイミングで皆来てくれたぞ! <メラニエ、ファウスティーネ> 何なの? <ラムジン、アリベイ、ムライ、カリコーニ> 何ですか? 何ですか? <エルミーネ、ナタリエ> 何事なの? <全員> 話してください 何なのか? <オルロフスキー> (アデーレを指して) ご覧ください この可愛らしいお嬢さんを この方を侯爵さまは人違いをされて だめだ あまりに面白すぎて...! <淑女たち> いったい誰とです? <ファルケ> 当てて御覧なさい! <アデーレ> 家のお手伝いと間違えたのよ 笑っちゃうでしょ? <オルロフスキー、ファルケと合唱> ハハハハ! そりゃおかしい! ハハハハ! <オルロフスキー> 侯爵さま それはあまり紳士的なことではありませんね! どうしたらそんな間違いができるんですか! 何と失礼な! <ファルケと合唱> 何と失礼な! <アイゼンシュタイン> あまりにソックリなんだ! <合唱> 何と失礼な!何と失礼な! <アイゼンシュタイン> それで混乱したんだ! クープレ <アデーレ> 侯爵さま あなたのようなお方は もっと分別がなくてはなりませんことよ ですからご忠告さしあげますわ そう はっきりと 人間の観察の仕方を! この手はとても綺麗でございましょ あははは この足も華奢でとても小ぶりですわ あははは あたしの織りなすこの言葉づかい この身のこなし この体つき どこに似たところがあるというの お手伝いなんかと ねえ! はっきりとおっしゃってくださいね 全くおろかな間違いだったと! そう 全くおろかなね ははは こんなことって ははは ごめんあそばせ ははは 笑ってばかりで はははははは! まったくおろかな方ですわ 侯爵さま あなたは! <全員> そう 全くおろかなことだ ははは こんなことは ははは <アデーレ> この横顔 ギリシャ彫刻のようでしょう 天が私にお授け下さったものですわ この顔だけではまだ十分でないとおっしゃるなら このスタイルをご覧くださいな! あなたのメガネでしっかりと ああ 私の着ているものだけでも ああ たぶんそうでしょ 愛があなたの目をくらませてしまったのよ その美人のお手伝いの姿が心を一杯に満たしたからですわね! さあ ご覧なさいな その娘の姿をしっかりと 全くおろかなことですわ そう 全くおろかなね ははは こんなことって ははは まったくおろかな方ですわ 侯爵さま あなたは! <全員> ははは! ははは! <アイゼンシュタイン> (語る) ああたまらない もう笑われるのは結構だ!お許しください、紳士諸君、寛大になって! <アデーレ> 心から悔いれば許されるでしょう けれど気を付けてね これからその美人のメイドの前に出るときには! 第8場 前場の登場人物、イヴァン、少し後にフランク <イヴァン> (報告する) シュヴァリエ シャグラン殿! <オルロフスキー> (そっとファルケに) シャグラン? <ファルケ> (同様に) 刑務所所長のフランクです <オルロフスキー> ああそうか! <ファルケ> (フランクに向かって) 殿下に代わってあなたを歓迎します! <オルロフスキー> ようこそ、シュヴァリエ! <フランク> (舞踏会の衣装で) 申し訳ございません、殿下、少し遅れてしまいまして... <オルロフスキー> 格式ばったりせずに。ゲストはくつろいでくれたまえ <ファルケ> (紹介する) シュヴァリエ シャグランさん …ルナール侯爵です! <オルロフスキー> 同じ国の方? <アイゼンシュタイン> (ひとりごと) おいおい 本物のフランス人と話すのかよ! <フランク> (アイゼンシュタインと握手をしながら) ジェロナール ムッシュー・マルキ(よろしく 侯爵殿)! <アイゼンシュタイン> ジェロナール セルヴィトゥ (よろしく 召使)! (ひとりごと) これ以上続けられるとしんどいな! <フランク> ヴゼトゥシファンセ?(あなたもフランス人ですか) <アイゼンシュタイン> アゥシ アゥシ アゥシ!(私も 私も 私も) (ひとりごと) そうだったらいいんだが! <フランク> ジェシシャルムデトルヴェアンコンパトロイト (同胞を見つけてうれしく思います)! <アイゼンシュタイン> (ファルケへ) 頼むよ 奴に俺にフランス語で話しかけるのは止めるように言ってくれないか-このままじゃ俺は終わりだぜ <フランク> 申し訳ありませんが ドイツ語だけでお願いできませんか! <イーダ> ああそうよ、私たちドイツ語で会話する方が普通なの! <アイゼンシュタイン> 故国の人とドイツ語で話すのは好まないのですが、レディがそれを望まれるのなら仕方ないですな <フランク> (そっとファルケに) あなたが「シュヴァリエ」の称号下さったことに感謝します!刑務所長のままでは、私はこの社交界の中では浮いてしまったでしょうからな! <アイゼンシュタイン> このリゾートにどのくらい居られるのですか、シュヴァリエさん? <フランク> 3日間ほどです <ファルケ> お二方はまだお会いになったことはない? <アイゼンシュタイン> ないですな 残念なことに <フランク> 私は公の場に出ることはほとんどありません、閉ざされた場が性に合っているものですからな。しかしこれからは... <アイゼンシュタイン> …ぜひとも頻繁にお会いしたいものですな! (彼の手を取る) <フランク> (続けて) そして、ずっとお付き合いを続けたいものです! <ファルケ> なるほど <アイゼンシュタイン> (ファルケへ) 気のいい男だな、このシュヴァリエは! <フランク> (ファルケへ) 私は侯爵が非常に気に入りました! <ファルケ> (オルロフスキーへ) 何とこの二人は言うのでしょうね このあとでお互いの素性が割れた時には! <オルロフスキー> 実に面白い <イーダ> まだ晩餐は始められないのですか?あたし とてもお腹がすいてきたわ <数人の女性> 私も!私も! <マレー> 私たちカナダ人は空腹になりません、喉は渇きますが! <ファルケ> 皆様もう少しご辛抱頂けますか もうおひと方女性をお待ちしておりますので <全員> 女性を? <ファルケ> そう、女性です、そしてその女性が来られることは、私は皆さん全員で秘密にしておいて頂きたいのです。 <全員> なぜですか? <カリコーニ> 説明してもらわなくては! <ファルケ> 確かに、その方は高位の貴族の女性、ハンガリーの伯爵夫人です、私たちの晩餐会に喜んで参加されたいとのことなのですが、特別の事情を考慮する必要があるのです <アイゼンシュタイン> その気の毒なひと、おそらく結婚してることが原因だな? <ファルケ> そうです、彼女の夫はとても嫉妬深く、自分の妻をまるでシガレットケースのように自分の手元に置いておこうとするほどなのです。ところが今そのモンスター夫は数日マドリードに出かけて、彼女は束の間の安らぎを得ているというわけです、ですが彼女はとても用心深いので、この陽気な集まりに出るにあたってもマスクを着けていようというのです。 <全員> マスクをされてる? <ファルケ> はい、そして私は約束したのです 私たちが完全に秘密を守ることで彼女に来て頂くということを。ですから誓って頂けますか 彼女のマスクを尊重して頂けることを <全員> 誓いましょう! <アイゼンシュタイン> マスクか!これは面白い! <イーダ> きっと彼女 ブスなのよ! <メラニエ> おそらく美しい瞳以外には何もないのね! <ファウスティーネ> それで私たちと美を競い合おうってのね! <すべての女性> 馬鹿みたい! <オルロフスキー> (ファルケに) 聞いたか、悪口を言う舌はもう全開になってる! <ファルケ> ご提案があります 皆様 庭の遊歩道を歩いて見られてはいかがでしょう <全員> (どよめいて) はい、その通りです!してみたいですな!行きましょう! (一団は庭へと消えて行く) <アデーレ> (アイゼンシュタインに、彼女はまだくっついていて) 侯爵さま、どのくらいあたしはあなたのガイドをしてなくちゃいけないのかしら? <アイゼンシュタイン> (ひとりごと) 恐ろしいほど似てるなあ!だけどこの娘はアデーレよりはるかにきれいだ。ちょっと試してみなくては (アデーレの目の前に彼の時計をちらつかせる) <ファルケ> (フランクに、イーダを指さして) シュヴァリエさん、ここが空いています。 <フランク> (イーダの腕を取って) 私は拒まれないかどうか気掛かりです このような美しい方と御一緒しようとして? <イーダ> それはあなたがどのようなご身分かによって違いますわ (二人は庭へと去る) <アイゼンシュタイン> (彼の時計をゆらゆらと振る) ああ、あなたは知りたいですか 胸がどれだけ鼓動しているのかを? <アデーレ> 何てカワイイ ステキな時計なの! <アイゼンシュタイン> (彼女の腕を取り 他の求愛者と一緒に) これ なかなかの時計でしょう。今日は私は幸せです あなたのような素晴らしいアーティストを崇拝することができて! 第9場 ファルケ、後でロザリンデ <ファルケ> (一人で) ひでえ奴だなあ!一度だけでも実験が失敗してあの餌が取られちまえばいいんだ!ああ、あそこに急いで女性が来ているな! (少し後ろに下がる) <ロザリンデ> (舞踏会のドレスを着て、黒のハーフマスクを手に) いまのところ誰にも気づかれずに来られたわ、あのいろいろと細かい夫でもこの衣装は知らないはずよ! <ファルケ> (彼女と向き合って) 失礼、奥様... <ロザリンデ> ああ、あなたね!あなたが私に書いて寄こしてきたことは本当なの? <ファルケ> 庭を一目見ればご納得でしょう。あなたの夫が見えますか 刑務所でお勤めに励んでいるはずの! <ロザリンデ> 女性と腕を組んで - ひどいわ!しかも、あれは誰よ?間違いない!あれはアデーレ、うちのメイドじゃない! <ファルケ> 確かにアデーレ、あなたのところのメイドです! <ロザリンデ> こんな集まりに、あの人は行くって? <ファルケ> (偽善的に) あいつは私も騙したんです! <ロザリンデ> (腹を立てて) それにひどい誘惑者! -どうして私のドレスを勝手に自慢すようなことをするの! ええ覚悟してなさい あなた、私はあなたの古い叔母さんのための処方箋を考えようとまでしたのに! <ファルケ> 今日はやめてください、奥様、私のお願いです! <ロザリンデ> ご心配なく!火薬庫は明日爆発しますよ、でもその時には、物凄い音がするでしょう! <ファルケ> シッ、来ましたよ! (ロザリンデはマスクを着ける) 第10場 ロザリンデ、ファルケ、アイゼンシュタイン、フランク <アイゼンシュタイン> (フランクと腕を組んで庭からやってくる) ハハ、これは素晴らしいエンターテイメントだ! <ロザリンデ> (ひとりごと) なんてことなの?ここにも刑務所長がいるじゃない! <フランク> あなたの時計は、侯爵、実に良いお守りですな! <ロザリンデ> (ひとりごと) 侯爵を名乗っているのね あの悪党は! <アイゼンシュタイン> 少し違いますな?ただ これが無数の女性たちの征服に貢献してきたことには感謝してますよ! <ファルケ> でももし奥さんに知れたら <アイゼンシュタイン> ハハ、俺のバカ嫁は今彼女のガブリエルの夢でも見てるだろうさ! <ロザリンデ> (ひとりごと) あなたのガブリエルはあなたを馬鹿にしてるわよ! <フランク> あなたはお近くにお住まいですか、侯爵? <アイゼンシュタイン> すぐ近くですよ、ここから10分ほど...時計回りの方に <フランク> 私の方はと言えば…左回りです。今までどこでもお会いしていなかったのは不思議ですな!でもまたすぐにでもお会いできることを願っています。 <ファルケ> (笑って) ええ、明日にでも! <アイゼンシュタイン> (フランクの手を取って) お近づきになりたいものですな! <フランク> 心から! <アイゼンシュタイン、フランク> (抱き合って) 心と心をひとつにして! <ファルケ> (大声で笑う) ハハ! <アイゼンシュタイン> 何で笑うんだい? <ファルケ> 美しい女性がいる前で抱き合ってるからさ <フランク> 何てこった <アイゼンシュタイン> このひとが例の...? <ファルケ> 俺が話したハンガリーの伯爵夫人さ、驚くほど美しいだろ <アイゼンシュタイン> こいつはすげえ、俺がものにしてみたいもんだなあ!俺に譲ってくれないか 諸君! <ファルケ> 承知しましたよ、食いしん坊野郎! <ファルケ> 頑張って、侯爵、幸運を! <フランク> (立ち去りながら ファルケに) 侯爵はあなたの友人のアイゼンシュタイン氏と同じくらい面白い方ですな 博士! SECHSTER AUFTRITT Vorige. Adele. Ida. ADELE Orlofsky die leere Brieftasche überreichend Mein Prinz, ich stelle Ihnen Ihr Portefeuille zurück; es ist leer! IDA Der gerissene Carikoni hat uns alles abgenommen. EISENSTEIN Adele erblickend Alle Wetter! ORLOFSKY Was gibt s? EISENSTEIN Das ist ja ... für sich Das ist mein Stubenmädchen! ADELE leise zu Ida Mein gnädiger Herr! IDA Was sagst du? EISENSTEIN für sich Und noch dazu in der Robe meiner Frau! ADELE zu Ida Und die arme Frau glaubt, er schmachtet im Arrest! FALKE stellt vor Fräulein Olga ... Fräulein Ida ... Herr Marquis Renard! ADELE für sich Jetzt heisst s alle Keckheit zusammennehmen! IDA Zeig, dass du Komödie spielen kannst! EISENSTEIN zu Adele Fräulein Olga heissen Sie? ORLOFSKY Marquis, Sie machen so ein verteufelt verdutztes Gesicht. Falke hat recht, ich werde lachen! EISENSTEIN sucht sich zu fassen Nur keine Blamage! ORLOFSKY Fräulein Olga scheint einen tiefen Eindruck auf Sie zu machen. EISENSTEIN O nein! Wieso? Ich glaubte nur ... eine Ähnlichkeit ... entschlossen zu Adele Mein Fräulein, sind Sie immer Fräulein Olga gewesen? ADELE Mein Herr Marquis, sind Sie immer Marquis Renard gewesen? FALKE Brava, ganz gut! EISENSTEIN Nein, diese Ähnlichkeit! ADELE Mit wem, mein Herr, mit wem? EISENSTEIN Mit ... meinem Stubenmädchen! ORLOFSKY, FALKE losplatzend Hahaha! ADELE Ich einem Stubenmädchen ähnlich? Impertinent! Wollen Sie mich beleidigen? EISENSTEIN Beruhigen Sie sich! Das Stubenmädchen, dem Sie ähnlich sehen, ist ein reizendes, seltenes Exemplar, die Krone aller Stubenmädchen! ADELE Ach so, das ist etwas anderes! ORLOFSKY Immer besser! Hahaha! SIEBENTER AUFRITT Vorige. Die ganze Gesellschaft. Nr. 8 - Ensemble und Couplet ORLOFSKY Ach, meine Herrn und Damen, Hier gibt es einen Spass! FALKE Zur rechten Zeit Sie kamen! MELANIE, FAUSTINE Was gibt s? RAMUSIN, ALI BEY, MURRAY, CARIKONI. Was gibt s, was gibt s? HERMINE, NATALIE Was gibt s? ALLE Erzählt doch, was? ORLOFSKY deutet auf Adele Sehn Sie, dies Fräulein zierlich, Die hält der Herr Marquis für ... Nein, es ist possierlich! DAMEN Für was denn? FALKE Raten Sie! ADELE Für eine Zofe hält er mich! Ist das nicht lächerlich? ORLOFSKY, FALKE UND CHOR Hahahaha! Das ist sehr lächerlich! Hahahaha! ORLOFSKY Mein Herr, das ist nicht sehr galant, Wie kann man sich so irren! Wie ungalant! FALKE UND CHOR Wie ungalant! EISENSTEIN Die Ähnlichkeit ist zu frappant! CHOR Wie ungalant! Wie ungalant! EISENSTEIN Das musste mich verwirren! Couplet ADELE Mein Herr Marquis, ein Mann wie Sie Sollt besser das verstehn! Darum rate ich, ja genauer sich Die Leute anzusehn. Die Hand ist doch wohl zu fein, ah, Dies Füsschen so zierlich und klein, ah, Die Sprache, die ich führe, die Taille, die Turnüre, Dergleichen finden Sie bei einer Zofe nie! Gestehen müssen Sie fürwahr, Sehr komisch dieser Irrtum war. Ja, sehr komisch, hahaha, ist die Sache, hahaha, Drum verzeihn Sie, wenn ich lache, hahaha, Sehr komisch, Herr Marquis, sind Sie. ALLE Ja, sehr komisch, hahaha, ist die Sache, hahaha. ADELE Mit dem Profil im griech schen Stil Beschenkte mich Natur. Wenn nicht dies Gesicht schon genügend spricht, So sehn Sie die Figur! Schaun durch die Lorgnette Sie dann, ah, Sich diese Toilette nur an, ah, Es scheint mir wohl, die Liebe macht Ihre Augen trübe. Der schönen Zofe Bild hat ganz Ihr Herz erfüllt! Nun sehen Sie sie überall, Sehr komisch ist fürwahr der Fall. Ja, sehr komisch, hahaha, ist die Sache, hahaha, Sehr komisch, Herr Marquis, sind Sie. ALLE Hahaha! Hahaha! EISENSTEIN spricht Alle Wetter, jetzt ist s aber genug mit dem Lachen! Ich bitte um Pardon, meine Herrschaften, seien Sie grossmütig! ADELE Wenn Sie um Gnade bitten, sei Ihnen verziehen. Aber nehmen Sie sich in Zukunft vor schönen Kammerzofen in acht! ACHTER AUFTRITT Vorige. Ivan. Gleich darauf Frank. IVAN meldet Der Chevalier Chargrin! ORLOFSKY leise zu Falke Chargrin? FALKE ebenso Der Gefängnisdirektor Frank. ORLOFSKY Ah so! FALKE Frank entgegen Ich heisse Sie willkommen im Namen Ihrer Durchlaucht! ORLOFSKY Willkommen, Chevalier! FRANK in Balltoilette Sie verzeihen, Durchlaucht, dass ich etwas spät ... ORLOFSKY Ohne Umstände, meine Gäste sind bei mir zu Hause. FALKE vorstellend Chevalier Chargrin ... Marquis Renard! ORLOFSKY Also Landsleute? EISENSTEIN für sich O verflucht, der redet vielleicht französisch mit mir! FRANK schüttelt Eisenstein die Hand J ai l honneur, Monsieur le Marquis! EISENSTEIN J ai l honneur ... serviteur! für sich Will er noch mehr, gibt s ein Malhör! FRANK Vous êtes aussi Français? EISENSTEIN Aussi, aussi, aussi! für sich Aussi möcht ich! FRANK Je suis charmé de trouver un compatriot! EISENSTEIN zu Falke Ich bitte dich, mach, dass er mich mit dem Französischen in Ruhe lässt - ich bin damit am Ende. FALKE Wir bitten aber deutsch, meine Herrn! IDA Ach ja, uns ist die deutsche Konversation geläufiger! EISENSTEIN Ich spreche zwar mit einem Landsmann nicht gern deutsch, indes, da die Damen es wünschen, meinetwegen. FRANK leise zu Falke Ich danke Ihnen für den Titel "Chevalier"! Als Gefängnisdirektor kann ich doch in dieser Gesellschaft nicht auftreten! EISENSTEIN Sind Sie schon länger in diesem Badeort, Chevalier? FRANK Seit drei Tagen, Herr Marquis. FALKE Die Herren sind sich früher noch nicht begegnet? EISENSTEIN Nein, ich bedaure. FRANK Ich zeige mich selten öffentlich, ich bin ein grosser Freund von geschlossenen Zirkeln. In Zukunft aber hoffe ich ... EISENSTEIN ... werden wir uns öfter sehen! reicht ihm die Hand. FRANK einschlagend Und unsere Bekanntschaft fortsetzen! FALKE Ganz gewiss. EISENSTEIN zu Falke Ein liebenswürdiger Mann, dieser Chevalier! FRANK ebenso zu Falke Der Marquis gefällt mir ungemein! FALKE zu Orlofsky Was werden die Herren erst sagen, wenn sie sich näher kennenlernen! ORLOFSKY Sehr gut. IDA Warum soupieren wir denn aber nicht? Ich habe schon schrecklichen Hunger. MEHRERE DAMEN Ich auch! Ich auch! MURRAY Wir in Kanada haben niemals Hunger, nur Durst! FALKE Die Herrschaften müssen sich noch ein wenig gedulden. Wir erwarten noch eine Dame. ALLE Eine Dame? FALKE Ja, eine Dame, und zwar eine wirkliche Dame, wegen der ich die Diskretion der ganzen Gesellschaft in Anspruch nehmen muss. ALLE Wieso? CARIKONI Das müssen Sie erklären! FALKE Es ist nämlich eine Dame aus den höchsten aristokratischen Kreisen, eine ungarische Gräfin, die gern unserem amüsanten Souper beiwohnen möchte, aber gewisse Rücksichten zu nehmen hat. EISENSTEIN Die Ärmste ist wohl verheiratet? FALKE Jawohl, und dazu an einen Mann, der so eifersüchtig ist, dass er seine Frau am liebsten im Zigarettenetui mittragen möchte. Obwohl nun ihr Krampus einige Tage entfernt von Madrid der süssen Ruhe pflegt, ist die Dame doch vorsichtig genug, so lustige Gesellschaften nur maskiert zu besuchen. ALLE Maskiert? FALKE Ja, und ich habe ihr versprochen, dass sie in vollem Vertrauen auf unsere Diskretion erscheinen könne. Schwören Sie mir also, ihre Maskenfreiheit zu achten. ALLE Wir schwören! EISENSTEIN Maskiert! Das ist interessant! IDA Wahrscheinlich ist sie hässlich! MELANIE Hat vielleicht nichts als ein Paar schöne Augen! FAUSTINE Und will uns damit Konkurrenz machen! ALLE DAMEN Lächerlich! ORLOFSKY zu Falke Hören Sie, die Lästerzungen sind schon in voller Tätigkeit! FALKE Ich schlage vor, dass die Herrschaften noch eine kleine Promenade im Garten machen. ALLE durcheinander Ja, ganz recht! Das wollen wir! Kommen Sie! Die Gesellschaft verliert sich in den Garten. ADELE zu Eisenstein, der sie noch immer fixiert Mein Herr Marquis, wie lange soll ich Ihnen denn noch als Orientierungsplan dienen? EISENSTEIN für sich Diese Ähnlichkeit ist horrend! Sie ist aber dennoch viel hübscher als Adele. Ich muss experimentieren. manövriert mit seiner Uhr vor Adeles Augen FALKE zu Frank, auf Ida deutend Herr Chevalier, hier ist eine Stelle vakant. FRANK Ida den Arm bietend Habe ich keinen Refus zu befürchten, wenn ich mich um eine so schöne Anstellung bewerbe? IDA Es kommt darauf an, ob Sie solchem Amte gewachsen sind. Beide ab in den Garten. EISENSTEIN lässt seine Uhr repetieren. Ah, du willst gewiss wieder wissen, wieviel s geschlagen hat? ADELE Welch niedliche, allerliebste Uhr! EISENSTEIN ihr den Arm bietend und den andern folgend Sie ist eigentlich eine Damenuhr. Vielleicht bin ich heute so glücklich, sie einer liebenswürdigen Künstlerin verehren zu dürfen! NEUNTER AUFTRITT Falke. Dann Rosalinde. FALKE allein Der Spitzbube! Wenn ihm nur einmal das Experiment misslänge und der Köder an irgendeinem Gürtel hängenbliebe! - Ah, da ist schon die Frau, die hat sich beeilt! zieht sich etwas zurück ROSALINDE in Balltoilette, eine schwarze Halbmaske in der Hand So werde ich hoffentlich unerkannt bleiben, auch von meinem saubern Herrn Gemahl, der dieses Abendkleid noch nicht kennt! FALKE tritt ihr entgegen Ich bedaure, gnädige Frau ... ROSALINDE Ach, Sie, Herr Doktor! So wäre wirklich wahr, was Sie mir geschrieben haben? FALKE Ein Blick in den Garten wird Sie überzeugen. Sehen Sie dort Ihren Herrn Gemahl, wie er seinen Arrest abbüsst! ROSALINDE Am Arm einer Dame - abscheulich! Doch was ist das? Nein, ich irre mich nicht! Das ist ja Adele, mein Kammermädchen! FALKE Allerdings, das ist Adele, Ihr Kammermädchen! ROSALINDE In solche Gesellschaften geht er!? FALKE scheinheilig Mich hat er auch dazu verführt! ROSALINDE maliziös Armer Verführter! - Und wie sie sich in meiner Robe brüstet! Na warte, Mamsell, dir werde ich ein Rezept für deine alte Tante verschreiben! FALKE Nur heute nicht, gnädige Frau, ich bitte! ROSALINDE Besorgen Sie nichts! Das Pulverfass wird erst morgen explodieren, aber dann wird es einen fürchterlichen Krach geben! FALKE Pst, man kommt! Rosalinde setzt die Maske auf. ZEHNTER AUFTRITT Rosalinde. Falke. Eisenstein. Frank. EISENSTEIN Arm in Arm mit Frank aus dem Garten Haha, das ist eine köstliche Unterhaltung! ROSALINDE für sich Was seh ich? Auch der Gefängnisdirektor hier! FRANK Ihre Uhr, Marquis, ist ein wahrer Talisman! ROSALINDE für sich Für einen Marquis gibt sich der Spitzbube aus! EISENSTEIN Nicht wahr? Ja, ich habe ihr schon unzählige Eroberungen zu danken! FALKE Wenn das deine Frau wüsste EISENSTEIN Haha, mein armes Weibchen träumt jetzt wahrscheinlich von ihrem Gabriel! ROSALINDE für sich Und ihr Gabriel macht sich lustig über sie! FRANK Sie wohnen in der Nähe, Marquis? EISENSTEIN Ganz in der Nähe; zehn Minuten von hier ... da rechts herum. FRANK Gerade wie ich ... nur links herum. Sonderbar, dass wir uns bis jetzt noch nirgends getroffen haben! Aber in Zukunft hoffe ich, Sie recht bald bei mir zu sehen. FALKE lacht Jawohl, und das schon morgen! EISENSTEIN bietet Frank die Hand Wir wollen Freunde sein! FRANK Von Herzen gern! EISENSTEIN, FRANK umarmen sich Ein Herz und eine Seele! FALKE lacht laut Haha! EISENSTEIN Was gibt s denn wieder zu lachen? FALKE Sich in Gegenwart schöner Frauen umarmen. FRANK Alle Wetter ... EISENSTEIN Das ist wohl ...? FALKE Die ungarische Gräfin, von der ich sprach. Sie soll bezaubernd schön sein. EISENSTEIN Donnerwetter, das wäre was für mich! Überlasst sie mir, meine Herren! FALKE Meinetwegen, du Nimmersatt! FALKE Viel Glück, Marquis, viel Glück! FRANK im Abgehen zu Falke Dieser Marquis ist ein ebenso lustiger Freund wie Ihr Eisenstein, lieber Doktor! この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Strauss,Johann II/Die Fledermaus/II-3